Rene Pape, pictured above in an undignified shot that I love, is this bass I like. And yesterday I was listening to his new Wagner CD. It has him singing "Wotan's Farewell" from "Die Walkure."
I can not listen to that music without thinking of two things I know I have written about. One was the time when my sister and I saw the opera in Toronto and both of us wept all through the last scene. We had a sodden Kleenex we were passing back and forth. It was pathetic!
The other was when I tuned in to a radio broadcast. I had to pull over for the ending. This is not something you can drive through! I pulled over and I stayed there as the singers took their bows. And as he described the scene, the announcer began to weep. I will never forget that!
Anyway, yesterday I happened on this interview with Mr. Pape. Pape talks about his influences who include George London, Hans Hotter and Theo Adam. Hans Hotter is a singer I love.
Pape is asked if audiences for Wagner differ from other audiences.
"Wagner audiences are special, I think," he says. "It's their music -- but in a positive way. It's a passion. Everyone feels extended -- musically and physically -- after five hours or whatever of a Wagner performance. So people tend to -- how should I put it -- well, freak out at the end."
Hahahahaaa!
I guess I am Exhibit A!
The other main thing I got from that interview is that Pape has a dachshund named Wotan.
Cute.
"Wagner audiences are special, I think," he says. "It's their music -- but in a positive way. It's a passion. Everyone feels extended -- musically and physically -- after five hours or whatever of a Wagner performance. So people tend to -- how should I put it -- well, freak out at the end."
Hahahahaaa!
I guess I am Exhibit A!
The other main thing I got from that interview is that Pape has a dachshund named Wotan.
Cute.
