Mary Kunz Goldman was for over 10 years the classical music critic for The Buffalo News, the daily paper of Buffalo, N.Y. She is also the authorized biographer of the great American pianist Leonard Pennario.
Sunday, November 25, 2012
Drama on a grand scale
Last night I saw "The Nutcracker" at Shea's. And at intermission, emboldened by a glass of wine, I mentioned to my friends how cool it is that the Grand Pas De Deux near the end of "The Nutcracker" is really just a simple scale, going down.
It is fun to play the game of what themes are just a scale. It is something you can think about while you are falling asleep.
I have two good examples of ascending scale but Blogger is defective when it comes to posting videos and I do not, alas, have all day. So they will have to wait till tomorrow. For now I have another descending scale. It is funny how a simple descending scale, nothing added, can sound so different from the pas de deux from "The Nutcracker."
Best descending scale ever heard: End of "Blagoslovi dushe moya" ("Bless the Lord, O my soul") from Rachmaninov's All-night Vigil. The basses descend slowly to low C. You feel that you have heard echoing of the sounds of Creation.
A Cloudy Fall Fit For a Pluviophile
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Not to shock anyone but today I went walking in Forest Lawn Cemetery. You
have to walk in cemeteries in the fall, I am sorry. In October.
I love fall da...
Best descending scale ever heard: End of "Blagoslovi dushe moya" ("Bless the Lord, O my soul") from Rachmaninov's All-night Vigil. The basses descend slowly to low C. You feel that you have heard echoing of the sounds of Creation.
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