Showing posts with label Otto Klemperer. Show all posts
Showing posts with label Otto Klemperer. Show all posts

Friday, July 26, 2019

Otto Klemperer and Beethoven's Ninth


The other day, I wrote about losing Howard's cousin -- the one, the only,the great Ron Moss. I went searching into the archives to see what I had written about him. One of the posts I found was called "A Present from Ron Moss," and talked about the time Moss had shoved a gift between the slats of the fence surrounding Howard's garage.

That present, eventually located in a clump of weeds, wound up being Beethoven's Ninth -- a box set of a performance conducted by Otto Klemperer, pictured above, and featuring mezzo soprano Christa Ludwig and the wonderful bass baritone Hans Hotter.

I was thinking, I have to find out where that box set is at, as we say here in Buffalo. Because it is great.

Ron Moss had taste!

Gramophone Magazine, in Britain, proclaimed it .... drum roll please ... the best performance of Beethoven's Ninth EVER! Read for yourself.

Gramophone talks about how the universal nature of Beethoven's Ninth emerges in the power that Klemperer, a German Jew, brings to it. Actually by the time he made that recording Klemperer was Roman Catholic. But still ...

Imagine that!!

Moss ...



... knew his Beethoven!

I have an affection for Otto Klemperer because of Leonard Pennario. Pennario was only 14 when he gave the first of what would become countless performances with the Los Angeles Philharmonic. And Otto Klemperer was the conductor. Klemperer liked him and was good to him and took him to heart. He knew great gifts when he saw them.

I love how Otto Klemperer was the father of Werner Klemperer who played Colonel Klink on "Hogan's Heroes." I did not watch that show much but the kids I babysat for did.

I also love the story Dietrich Fischer-Dieskau tells in his memoirs about Otto Klemperer. It is a long story but the simplified version is, Klemperer winds up imagining a conversation between himself and God. He has God asking, "Tell me, Doktor Klemperer ...."

I loved that!

I loved the idea of God addressing Klemperer with his formal titles!

You know that would be the case.

Anyway, Beethoven's Ninth and Otto Klemperer ... I must locate Moss' gift.

I must listen to it!



Wednesday, September 24, 2014

Paging Dr. Klemperer


My Pennario research touches on Otto Klemperer because Klemperer conducted when Pennario first performed, as a teenager, with the Los Angeles Symphony.

Anyway. Long story short, I found this from a tribute to Klemperer by Harold Schonberg:

..If the German tradition was paramount in Klemperer's approach, his intellectual background was wide enough to encompass the entire ethic of the Western world. The late Wieland Wagner once summed up Klemperer:

"Classical Greece, Jewish tradition, medieval Christendom, German Romanticism, the realism of our own time, make Klemperer the conductor a unique artistic phenomenon."

Well, yeah, I guess that just about covers it.

You have all that stuff down, I guess as a conductor you are just about set!

Apparently Klemperer as a conductor was very exacting. Schonberg tells the story of how William Steinberg recalled momentarily forgetting a couple of the tempos from Wagner's "Lohengrin," after which Klemperer held him in contempt for months. Klemperer had these extremely high standards. It is no wonder he liked Pennario.

Above is a picture of young man Klemperer. There are a bunch of them out there like that, in which he looks kind of like Gustav Mahler. Cute, you know? You are used to pictures of old man Klemperer, thus.



And thus:


No photo page of Klemperer would be complete without a shot of his son, Werner, as Colonel Klink.


Dietrich Fischer-Dieskau told a tremendous story about Otto Klemperer in his memoir "Reverberations." God, it was funny. It was about how the singers had a complaint about Klemperer's tempo in Bach. I think it was the St. Matthew Passion. And Fischer-Dieskau drew the short straw and had to bring up this delicate matter with Klemperer.

And Fischer-Dieskau had it in his head, because he was young and you do dumb things when you are young, to tell Klemperer he had dreamed that he asked God some things about the tempo. It was something like that. I will have to look it up.

In any case Klemperer snarled to him that he, too, had had a dream about God.

"And God said, 'Tell me, Dr. Klemperer, who is this Fischer?"

The greatest thing about that story is of course that God addressed Klemperer as Dr. Klemperer.

I think in heaven He is doing that now.